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Rediscovery of Klimt's Portrait of Ghanaian Prince Highlights Cultural Legacy

A stunning artwork by Gustav Klimt featuring an African prince captures attention at TEFAF Maastricht, sparking discussions about its historical significance.

By Scott ReyburnSource: nytimes.com1 min read

In brief

In a remarkable turn of events, a long-lost portrait by renowned artist Gustav Klimt depicting Prince William Nii Nortey Dowuona has emerged at the TEFAF Maastricht art fair, leading to negotiations for its sale to a prominent museum. The painting, which features an early photorealistic representation of the prince against a floral backdrop, was showcased by the Viennese gallery Wienerroither and Kohlbacher. Valued at approximately 15 million euros (about $16.4 million), the artwork's journey back into public consciousness has drawn significant interest.

The portrait represents not only Klimt's artistic prowess but also an important cultural artifact. It portrays a member of the Osu people from Ghana, who were displayed in colonial-era "human zoos" across Europe during the late 19th century. The exhibition in which the prince participated attracted massive crowds, providing a glimpse into the complexities and contradictions of colonial exhibitions popular at that time. The gallery's co-founder, Lui Wienerroither, stated they were actively negotiating with a major museum but refrained from identifying the institution.The rediscovery of the artwork occurred in 2023 when it was brought into the gallery in less than ideal condition by an Austrian couple. The gallery soon uncovered a faint estate stamp by Klimt on the canvas's back, confirming its authenticity through collaboration with Alfred Weidinger, an expert on Klimt's oeuvre. Research indicates that the painting remained within Klimt's estate until his death in 1918 and was subsequently auctioned in 1923. It was included in a 1928 memorial exhibition in Vienna, showcasing its long-lost history. As negotiations unfold, the portrait's re-emergence serves as a powerful reminder of the enduring legacy of both Klimt and the cultural narratives of Africa.

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